Touching the City: Tactility and Affect of Public Art
- Authors: Radchenko D.A.1
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Affiliations:
- Russian Presidential Academy of National Economy and Public Administration
- Issue: No 4 (2024)
- Pages: 39-55
- Section: Special Theme of the Issue: Anthropology of Affective Atmospheres
- URL: https://cijournal.ru/0869-5415/article/view/672448
- DOI: https://doi.org/10.31857/S0869541524040033
- EDN: https://elibrary.ru/AZAXNU
- ID: 672448
Cite item
Abstract
Touching objects of public art is one of the most frequently recorded and at the same time superficially described practices of interaction with the urban environment. I propose to look at this practice through the lens of the “affective atmospheres” approach, which allows us to problematize tactile contact as a means and result of affective attunement with space. Analyzing the affective-discursive canon, emerging around the interaction with a new art object (the sculpture “Big Clay No. 4” in Moscow), I demonstrate how, on the one hand, the transition from digital to visual and tactile interaction with the materiality of space creates collective affect online; on the other hand, how this affect is transmitted to social media, making the public art object the center of a phygital hybrid space.
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About the authors
Daria A. Radchenko
Russian Presidential Academy of National Economy and Public Administration
Author for correspondence.
Email: darradchenko@gmail.com
Institute for Social Sciences
Russian Federation, 82 Vernadsky Avenue, Moscow, 119571References
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